Entstaubung

This project explores memory, transformation, and the unseen through a site-specific sound and spatial installation. At its center is an industrial object designed to extract dust from the air—used to prevent underground dust explosions—which becomes a poetic starting point. Artist and architect Nathalie Brum discovered this rare model of a dedusting unit made by Marl-based company CFH. Originally engineered for mining and tunnel construction, the object is reimagined as a daylight sculpture, bridging history, recollection, and the present.
Brum embeds this technical relic within a layered acoustic environment that forms an immersive experience. The soundscape, created from recordings at the production site and filtered industrial noises, is interwoven with human voices. These voices—anonymized and re-spoken by the artist herself—share stories of depth, clarity, and everyday dust. Over weeks, Brum collected reflections from 17 individuals aged between 14 and 94, prompted by open-ended questions about work, memory, and filtration. Their responses reveal traces of inner processes and hidden labor, reaching from the postwar era to the digital present.
Translucent, copper-hued tulle fabric—evocative of dusty air and ritual veils—adds a visual layer of permeability and enclosure. Draped as semi-transparent membranes, the fabrics frame the 360-degree sculpture and invite a slow, contemplative orbit.
In Entstaubung, object, sound, and space converge into a multi-voiced narrative. The work unearths sediments of lived experience, allows voices to speak through material, and brings layered memories from underground to the surface.
Sound and Spatial Installation
18 May - 05 October 2025, Skulpturenmuseum Marl, Germany
Duration: approx. 52 minutes (ongoing installation)
Nathalie Brum

Commissioned by
Skulpturenmuseum Marl | Kultursekretariat Gütersloh
Funded by
Ministerium Kultur Wissenschaft | Freundeskreis Habakuk | Vest Recklinghausen | Ruhr Kunst Museen | WDR3
Friendly supported by
CFH Holding
all photographs by Philip Kistner
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